Although he is best known for his luminous reports from the farthest-flung corners of the earth, Bruce Chatwin possessed a literary sensibility that reached beyond the travel narrative to span a world of topics—from art and antiques to archaeology and architecture. This spirited collection of previously neglected or unpublished essays, articles, short stories, travel sketches, and criticism represents every aspect and period of Chatwin’s career as it reveals an abiding theme in his work: his fascination with, and hunger for, the peripatetic existence. While Chatwin’s poignant search for a suitable place to “hang his hat,” his compelling arguments for the nomadic “alternative,” his revealing fictional accounts of exile and the exotic, and his wickedly en pointe social history of Capri prove him to be an excellent observer of social and cultural mores, Chatwin’s own restlessness, his yearning to be on the move, glimmers beneath every surface of this dazzling body of work.

The definitive collection of the letters of the enigmatic writer, providing new perspectives on his extraordinary life. Selected and edited by Elizabeth Chatwin and Nicholas Shakespeare, with an introduction by Elizabeth Chatwin. "I am most certainly in the mood for writing letters." Bruce Chatwin is one of the most significant British novelists and travel writers of our time. His books have become modern-day classics which defy categorisation, assimilating elements of fiction, essay, reportage, history and gossip, inspired by and reflecting his incredible journeys. Tragically, Chatwin's compelling narrative voice was cut off just as he had found it. One month before his death he lamented, "There are so many things I want to do." "Bruce had just begun" said his friend, Salman Rushdie, "we saw only the first act". While we shall never know the surprise of his unwritten works, Chatwin left behind a body of writing that is striking for its freshness; an authentic conduit which allows us to return to him and to be rewarded: a wealth of letters and postcards that he wrote, from his first week at school until shortly before his death at the age of forty-eight. Whether typed on Sotheby's notepaper or hastily scribbled, Chatwin's correspondence reveals more about himself than he was prepared to expose in his books; his health and finances, his literary ambitions and tastes, his uneasiness about his sexual orientation; above all, his lifelong quest for where to live. Written with the verve and sharpness of expression that first marked him out as a writer, Chatwin's letters gives a vivid synopsis of his changing interests and concerns throughout his life. Comprising material collected over two decades from hundreds of contacts across five continents, Under the Sun is a valuable and illuminating record of one of the greatest and most enigmatic writers of the twentieth century.

On the Black Hill is an elegantly written tale of identical twin brothers who grow up on a farm in rural Wales and never leave home. They till the rough soil and sleep in the same bed, touched only occasionally by the advances of the twentieth century. In depicting the lives of Benjamin and Lewis and their interactions with their small local community Chatwin comments movingly on the larger questions of human experience.

Utz collects Meissen porcelain with a passion. His collection, which he has protected and enlarged through both World War II and Czechoslovakia's years of Stalinism, numbers more than 1,000 pieces, all crammed into his two-room Prague flat. Utz is allowed to leave the country each year, and although he has considered defection, he always returns. He cannot take his precious collection with him, but he cannot leave it, either. And so Utz is as much owned by his porcelain as it is owned by him, as much of a prisoner of the collection as of the Communist state. A fascinating, enigmatic man, Kaspar Utz is one of Bruce Chatwin's finest creations. And his story, as delicately cast as one of Utz's porcelain figures, is unforgettable.

An exhilarating look at a place that still retains the exotic mystery of a far-off, unseen land, Bruce Chatwin’s exquisite account of his journey through Patagonia teems with evocative descriptions, remarkable bits of history, and unforgettable anecdotes. Fueled by an unmistakable lust for life and adventure and a singular gift for storytelling, Chatwin treks through “the uttermost part of the earth”— that stretch of land at the southern tip of South America, where bandits were once made welcome—in search of almost forgotten legends, the descendants of Welsh immigrants, and the log cabin built by Butch Cassidy. An instant classic upon publication in 1977, In Patagonia is a masterpiece that has cast a long shadow upon the literary world.

In 1812, Francisco Manoel da Silva, escaping a life of poverty in Brazil, sailed to the African kingdom of Dahomey, determined to make his fortune in the slave trade. Armed with nothing but an iron will, he became a man of substance in Ouidah and the founder of a remarkable dynasty. His one remaining ambition is to return to Brazil in triumph, but his friendship with the mad, mercurial king of Dahomey is fraught with danger and threatens his dream.

The songlines are the invisible pathways that criss-cross Australia, ancient tracks connecting communities and following ancient boundaries. Along these lines Aboriginals passed the songs which revealed the creation of the land and the secrets of its past. In this magical account Chatwin recalls his travels across the length and breadth of Australia seeking to find the truth about the songs and unravel the mysteries of their stories.

In this collection of profiles, essays and travel stories, Chatwin takes us to Benin, where he is arrested as a mercenary during a coup; to Boston to meet an LSD guru who believes he is Christ; to India with Indira Ghandi when she attempted a political comeback in 1978; and to Nepal where he reminds us that 'Man's real home is not a house, but the Road, and that life itself is a journey to be walked on foot'

"Wonderful...the closest we are ever going to get to a Chatwin autobiography."-William Dalrymple, The Times Literary Supplement (London)The celebrated author of such beloved works as In Patagonia and The Songlines, Bruce Chatwin was a nomad whose desire for adventure and enlightenment was made wholly evident by his writing. This marvelous selection of letters-to his wife, to his parents, and to friends, including Patrick Leigh Fermor, James Ivory, and Paul Theroux- reveals a passionate man and a storyteller par excellence. Written with the verve and sharpness of expression that first marked him as an author of singular talent, Chatwin's letters provide a window into his remarkable life and strikingly detailed insights regarding his literary ambitions and tastes.

Although he is best known for his luminous reports from the farthest-flung corners of the earth, Bruce Chatwin possessed a literary sensibility that reached beyond the travel narrative to span a world of topics—from art and antiques to archaeology and architecture. This spirited collection of previously neglected or unpublished essays, articles, short stories, travel sketches, and criticism represents every aspect and period of Chatwin's career as it reveals an abiding theme in his work: his fascination with, and hunger for, the peripatetic existence. While Chatwin's poignant search for a suitable place to "hang his hat," his compelling arguments for the nomadic "alternative," his revealing fictional accounts of exile and the exotic, and his wickedly en pointe social history of Capri prove him to be an excellent observer of social and cultural mores, Chatwin's own restlessness, his yearning to be on the move, glimmers beneath every surface of this dazzling body of work.